The most significant "paper" or historical record regarding this film is Lovelace’s own testimony in her 1980 autobiography, :
Ultimately, Linda Lovelace’s 1971 output serves as a precursor to the massive shift in media consumption that would occur with the advent of home video. It marks the final moments of the underground before the bright lights of Hollywood and the global media stage took over. linda lovelace in dog fucker dogarama 1971avi exclusive
, were made under extreme duress and physical threats from her husband and manager at the time, Chuck Traynor. She initially denied the existence of these films until they resurfaced during her peak fame. Career Overview The most significant "paper" or historical record regarding