It was a humid Tuesday afternoon in late October. I had been following Nana Aoyama’s work online for nearly two years—mesmerized by her ethereal, often melancholic depictions of urban solitude and fragmented childhood memories. When I learned that the (famous for its impeccable curation of photographic arts, separate from the Graphis publishing house in Switzerland, though sharing a name spirit) was hosting a solo exhibition titled “The Unfinished Diary,” I booked my flight from Seoul to Haneda immediately.
The Graphis Gallery, located in Zurich, Switzerland, is a cornerstone of the international design community. Established in 1990 as an extension of the renowned Graphis design journal, the gallery serves as a dynamic space where contemporary graphic design, illustration, and typography are showcased in a minimalist, gallery-style environment. Known for its rotating exhibitions, the gallery emphasizes clarity and visual storytelling, often highlighting emerging trends and innovative artists. nana aoyama graphis gallery personal experience
Walking through her digital galleries feels like visiting a curated art exhibit. Her physical features are undeniably stunning, but it is her versatility that keeps fans coming back. Whether she is draped in traditional kimono or sporting modern fashion, she maintains a consistent level of grace that is rare to find. Navigating the Graphis Gallery It was a humid Tuesday afternoon in late October
This review of is based on the impressive graphic design collection and overall visitor sentiment often noted at the gallery. The Atmosphere The Graphis Gallery, located in Zurich, Switzerland, is
Some of the standout pieces that caught my attention included:
I sat on the floor. The video was shot on Super 8, then transferred to digital, then degraded on purpose. Every third frame was replaced with a pure white flare. The effect was cinematic epilepsy—a visual representation of a panic attack.