Gaspar Noé’s 2009 film Enter the Void is less of a traditional movie and more of a 161-minute sensory assault. Set in a neon-drenched, hallucinogenic Tokyo, it attempts to visualize the "bardo" state described in the Tibetan Book of the Dead
: Scholars have deconstructed the film through the lens of "cinematic tactility," arguing that the vibrant colors and dizzying movements create a physical, hypnotic effect on the audience. The "Death-Trip" enter the void -2009-
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