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De Marbelle's hard work and dedication to her craft have earned her numerous accolades and recognition within the entertainment and media content industry. She has been nominated for several awards, including Best New Artist and Best Music Video, and has won awards for her contributions to film and television production.

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However, to reduce this to mere cynicism would be reductive. De Marbelle’s media content also functions as a form of class and gender resistance. Coming from the often-stigmatized popular music world (associated with provincial tastes, lower socioeconomic strata, and explicit emotionality), she refuses to be sanitized by the hegemonic tastes of Bogotá or Miami’s entertainment elites. By taking her unvarnished self to national television, she demands that her audience—and by extension, Colombia’s media establishment—recognize the dignity of the popular not as an aesthetic but as a legitimate worldview. By taking her unvarnished self to national television,