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Crucially, Leaving Neverland could not secure licensing for Jackson’s music. The film therefore lacks the sonic glue that usually holds music documentaries together. This absence is telling: the entertainment industry protects its own IP. When a documentary threatens the revenue stream (posthumous album sales, Vegas shows, Broadway musicals), the industry weaponizes copyright law. Leaving Neverland reveals the genre’s boundary condition: a documentary about entertainment can only be truly critical if it is willing to be silent—stripped of the very songs that give the industry its power. Crucially, Leaving Neverland could not secure licensing for