The numbers in her project's title map a kind of archival method: precise, clinical, but ultimately human. Each recording is logged with date and a serial, then folded into the larger narrative. Visitors to Yui's installations can scan QR codes that open annotated timelines: who spoke in the clip, where they were standing, what day it was. But for Yui the metadata is a prosthetic — useful, but not the point.
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Beyond the performances, Yui is building a different kind of archive: a public repository where recordings are accessible to contributors and their descendants. She imagines a library that isn't locked behind institutional paywalls, where a fisherman’s great-grandchild can listen to his ancestor singing the same tide song. She is fundraising and seeking partnerships with local cultural centers to host mirrored copies of the archive so that the data remains community-controlled.