The term "guilty pleasure" implies that romance is intellectually inferior to crime procedurals or political thrillers. That is false. Crafting a compelling love story requires as much structural rigor as a mystery novel. The red herring in a romance is the "other woman"; the climax is the confession; the resolution is the reunion.
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Now, three years later, Elias saw her. She was standing by the ferry terminal, her hair shorter, her coat a deep crimson that cut through the gray afternoon. She didn't see him at first, her eyes fixed on the horizon, but then she turned, and the world seemed to tilt. The locket felt like a lead weight in his pocket. The term "guilty pleasure" implies that romance is