When constructing these storylines, the writer must decide on the ending. There are two valid paths, and neither is inherently superior.
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But the trajectory is clear. The women-loving-women storyline has graduated from the shadows of subtext and tragedy. It has found its voice, its gaze, and most importantly, its happy endings. And in a world that can often be hostile, there is profound, radical power in a love story that simply gets to be. When constructing these storylines, the writer must decide