Katerina Konec [extra Quality] Jun 2026

On the table behind her sat a half-packed suitcase. It was not full of souvenirs or clothes for a holiday. It held the essential debris of a life that was being dismantled: a silver-framed photograph of a man who no longer wrote, a set of porcelain figurines with chipped glaze, and a heavy wool coat that smelled of woodsmoke and rain.

—End of treatise

Konecna's work has been widely recognized and exhibited internationally. Her major projects include: katerina konec

Born in Ljubljana, Slovenia, in 1992, Konec (whose surname fittingly means "the end" or "the boundary" in several Slavic languages) began her career as a classical violinist. After a debilitating wrist injury at 22, she abandoned traditional performance. Rather than switching to composition software, she began modifying broken violins, grafting contact microphones, springs, and cassette player motors onto their wooden bodies. Her first major work, Furnace Hum (2018), was recorded inside an abandoned steel mill—using the factory’s ambient drone as a fifth instrument. On the table behind her sat a half-packed suitcase