Sam Raimi’s direction is steeped in the tradition of practical effects and dynamic camera movement. The "shaky cam" and Dutch angles employed in the film are tools of the
First, a reality check. Multiverse of Madness was shot and projected at the standard 24 frames per second. For over a century, 24fps has been the law of the land because it offers a happy medium between audio syncing and motion blur. It gives film that “dreamy,” slightly staccato feel.
: In the battle against Gargantos in the streets of New York, the 60 fps motion makes the monster’s tentacles and Strange’s Eldritch Magic mandalas appear sharper.