Popping-in?

Our studio is filled with light and music.
There are multiple meeting rooms, a well stocked kitchen, and an indoor garden (with fishpond). Talk to us about access needs, environmental factors and any accommodations we might make to enhance your visit. Pop-in for tea and stay to use a spare desk for as long as you need.

11 Greenwich Centre Business Park,
53 Norman Road, Greenwich
London SE10 9QF

[email protected]

Public transport

We’re next to Greenwich train and DLR station. We have a door right on the concourse but it’s different to our postal address. Find us via: what3words.com/hungry.means.author

From Greenwich rail platform

This video shows the route to take from the train that will arrive at Greenwich rail station from London Bridge. There's a gentle slope next to the staircase.

From Greenwich DLR station

This video shows the route to take from the DLR that will arrive at Greenwich DLR station from Bank. There's a lift at the platform level if that's useful.

By car

If you have to come by car, we have a couple of parking spaces. We have a charging point that you are welcome to use if you have an electric car. Call ahead and we'll make sure the spaces are free. Use our postcode (SE10 9QF) to guide you in.

Get in touch

We’d love to hear from you. Use whichever medium works best for you.

11 Greenwich Centre Business Park,
53 Norman Road, Greenwich
London SE10 9QF

[email protected]

New project enquiry

It's exciting to chat about potential new projects. We don't have a ‘sales’ team or a form to fill in. Call us or give us a little detail via email and we'll get straight back to you.

[email protected]

Website support

If you're a client then you'll be best served by calling us or contacting us via ClickUp, otherwise you can use this dedicated email that reaches all of the digital team.

[email protected]

Finance questions

This email hits the inboxes of the people who deal with our bookkeeping and finances.

[email protected]

Just want a chat?

Sometimes enquiries don't fall neatly under a heading, do they?

[email protected]

Cultural Calendar

A round-up of recommendations and reviews, sent on the first Friday of each month, topped-off with a commissioned image from a talented new illustrator. Sign-up and tell your friends.

Sign me up Cultural Calendar

Cog News

An irregular update of activity from our studio. Showing off about great new projects, announcements, job opportunities, that sort of thing. Sign-up and tell your friends.

Sign me up Cog News

Kansai Enkou 45 Chiharu 2021 2021 Guide

Chiharu had been known regionally for blending nostalgic city-pop textures with raw, lo-fi vocal takes and spoken-word passages in Kansai dialect. Kansai Enkou 45 captured that mix: warm analog synth pads and vinyl crackle framed short songs that felt like late-night conversations in a retro coffee shop. The number “45” in the title hinted at the single-speed, 45 RPM single format—an aesthetic choice that doubled as homage to analog records and to the idea of small, intimate releases meant for close listeners rather than mass-market platforms.

“He was a good man,” she said, eyes glistening. “He saved my grandson’s life that night. He ran into the burning hall with a bucket of water, but the flames were too strong. He… he left the next morning, never to return.” kansai enkou 45 chiharu 2021 2021

At the 15‑kilometer mark, the course turned toward the historic Osaka Castle. The ancient stone walls loomed ahead, and a gentle wind began to carry the faint scent of pine. Chiharu’s legs began to protest; the relentless incline of the castle hill was notorious, even in good weather. She glanced at the runner ahead—Mr. Fujita—who was walking slowly, his breathing steady. Chiharu had been known regionally for blending nostalgic

She answered with a single word: “Yes.” “He was a good man,” she said, eyes glistening

The rain fell in steady sheets over the narrow streets of Osaka as Chiharu Satō stood at the edge of the platform, clutching a crumpled, ink‑stained envelope. The postmark was unmistakable: Enkō‑cho, Kansai Prefecture, 2021‑04‑12 . Inside, a single line, written in the hurried hand of a man she hadn’t seen in twenty‑four years:

This specific title likely targets the "mature" or "amateur-style" category.