Fur Alma By Miklos Steinberg High Quality !link! Access

Unlike Steinberg’s better-known ink drawings from the 1950s, Fur Alma (47 × 63 cm) abandons figurative clarity for dense, almost repellent tactility. The work’s surface comprises patches of dyed rabbit fur stitched to coarse hemp, overlaid with dark oil glazes. A faint, incised outline of a seated woman emerges from the fur—but her face is replaced by a roughly torn hole revealing raw canvas. Critics in 1963 dismissed the piece as “morbid taxidermy,” but recent scholarship repositions it as a precursor to post-Holocaust material poetics.

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